
In the collection
11 records
Room For One More
Irene Reid, 1965
Red Clay
Freddie Hubbard, 1970
Deodato 2
Deodato, 1973
Giant Box
Don Sebesky, 1973
Feels So Good
Grover Washington, Jr., 1975
Black Widow
Lalo Schifrin, 1976
I Heard That!!
Quincy Jones, 1976
Magic’s In The Air / Boy, I Really Tied One On / You Keep Me Hanging On
Esther Phillips / David Matthews, 1976
CTI Summer Jazz At The Hollywood Bowl Live One
CTI All-Stars, 1977
CTI Summer Jazz At The Hollywood Bowl Live Three
CTI All-Stars, 1977
CTI Summer Jazz At The Hollywood Bowl Live Two
CTI All-Stars, 1977
Played with
Hubert Laws
6 records together
Freddie Hubbard
5 records together
Grover Washington, Jr.
5 records together
Joe Farrell
5 records together
Ron Carter
5 records together
Bob James
5 records together
Eumir Deodato
4 records together
Jerry Dodgion
4 records together
David Nadien
4 records together
Emanuel Green
4 records together
Harry Lookofsky
4 records together
Max Ellen
4 records together
About
American producer and label manager
Note: For Writing credits they are 99.99% certain to be . Please do not use Creed Taylor unless the release specifically says Creed Taylor.
Born: 13th May 1929 Lynchburg, Virginia, USA
Died: 22nd Aug 2022 Winkelhaid, Bavaria, Germany
Jazz producer and the founder of two legendary labels: Impulse! (as a subsidiary of ABC-Paramount) and CTI Records an independent production company, initially an imprint and distributed by A&M Records. After August 1969 CTI Records became wholly independent. CTI’s subsidiaries Kudu, and Three Brothers Records. He also founded Greene Street Records and several publishing companies, among them Char-Liz Music, Inc. and Three Brothers Music. Creed Taylor has been a huge influence in many producers such as Esmond Edwards, Tommy LiPuma, Dave Grusin, Arnaldo DeSouteiro and Dave Matthews. He started his career as a trumpet player influenced by Ernie Royal, and became a record producer when working in the ’50s for Bethlehem Records and, later, ABC-Paramount.
He was hired by ABC-Paramount in December 1955 to set up a jazz department for the label. Later on, he went on to produce jazz albums for Verve and in July 1967 started producing records for A&M’s New York operation. Taylor produced a number of albums credited to the The Creed Taylor Orchestra. This was in effect , Kenyon Hopkins was under contract at the time. Taylor did not play on any of the albums.
