In the collection
29 records
Capricho Italiano
Various, 1995
Con Nombre De Mujer
Various, 1995
Danzas
Various, 1995
Fantasía Húngara
Various, 1995
Heroica Y Revolucionaria
Various, 1995
Iberia
Various, 1995
Invierno Y Tempestad
Various, 1995
La Música Y Los Animales
Various, 1995
Música De Ballet
Various, 1995
Oberturas Célebres
Various, 1995
Oriente Mágico
Various, 1995
Pastoral
Various, 1995
Perfumes De La Noche
Various, 1995
Recuerdos De Rusia
Various, 1995
Ritmo Y Danza
Various, 1995
Romántica
Various, 1995
Rossiniana
Various, 1995
Sinfonías Célebres
Various, 1995
Temas De Amor
Various, 1995
Amadeus
Various, 1996
Arias Sublimes
Various, 1996
El Rincón De Los Niños
Various, 1996
La Dulce Francia
Various, 1996
Marchas Célebres
Various, 1996
Música Con Argumento
Various, 1996
Noche De Ópera
Various, 1996
Preludios E Intermedios
Various, 1996
Sinfonías Románticas
Various, 1996
Wagner
Various, 1996
Played with
Alfred Scholz
28 records together
Philharmonia Slavonica
18 records together
Henry Adolph
15 records together
Pyotr Ilyich Tchaikovsky
14 records together
Simfonični Orkester RTV Ljubljana
11 records together
Alberto Lizzio
11 records together
Georges Bizet
10 records together
Süddeutsche Philharmonie
9 records together
Giuseppe Verdi
9 records together
Wolfgang Amadeus Mozart
9 records together
Anton Nanut
8 records together
Ludwig van Beethoven
8 records together
About
This is for mislabelled “London Festival Orchestra“ use ONLY (i.e., where the orchestra name is used fictitiously). It is best to state explicitly in the notes that this is the case.
The practice of bogus orchestras using established names is more likely to occur on fly-by-night labels, where the conductor is a relative unknown. Established labels employing musicians on a session-by-session basis, rather than giving a false credit, would generally invent an orchestra name which sounds respectable and established, but does not really exist, e.g. Vienna Festival Orchestra. Doubtful conductors, probably indicating a bogus credit, include , , , , and .
